Archive for the ‘Leaves’ Category

Octobers & Embers

Monday, October 19th, 2009

Malbec tastes like Ellsworth.

A sip in and suddenly I’m slipped into a circle of lawn chairs around the makeshift centerpiece of guitar road cases and some citronella blaze. The solemnity of that sound – the cooperation of the wind some & fading leaves which catch and carry the overture, descending periodically in to brush & tap our shoulders, eventually settling to neighbor our black boots.

We both cinch the collars of our peacoats to our neck, fasten the scarves in a way that they rub at the hair on our jaw and secure in some warmth to our necks. As you light your Camel and flick the ash to your left, I raise the Malbec sip and it is as rich and spicy and this is a compression of how I viewed my own life again, finally.

I have not felt as I do now in years. It’s odd to think how quickly years pass and yellow. Perhaps since I moved from New York and my child was before me in greater measure than before, and I explored possibility more than previously – maybe the realization of capability?  But no end was in sight for my time here. It was a sweet and innocent episode (but no less genuine) – a time portioned for growth but mostly I see for experience of others, for understanding of self, and for the enjoyment and distribution of God’s great gifts to us as his creation. I think I was the most joyful (I often avoid that word for its subcultural connotations) I have ever been, and perhaps that I have been since.

October is a quite important month.  Not that I have rationed it so, but experience in recent years past seems to remark that this is the time when Things are revealed. Cycles are rebuilt and recalled, rhythms of death are replaced with rhythms of life and of renewal, and deep, sometimes caustic searching of self – of motive personally and socially led into a greater self-awareness than that which preceded (and giving light to what proceeds).

Ellsworth will remain, I assume, forever, as the place I began to learn to live. To feel no need for control or paramater or answer. Accepting the grey, working hard, and loving deeply. It is within this context that I began to understand the importance of mutuality, its balance with introspection, and the necessity for slowing, silence, and trust. And my relationships were strong, and my desire for them as strong, creativity rich and my experience of and search for Truth more hopeful than before.

Things since that time I have not consistently been able to incorporate into the rhythms of my life, especially since leaving my office job and entertaining the particarlities of freelance and the way living alone is (and must be) fleshed out with comm-unity in world-view.  And I have tried, but then there are scars. Little pieces of pink skin that are indicators of believing one thing and seeing it not embodied as it ought to be, but I refuse to allow only personal experiences be the hinge between Reality and my own perception of it, though I also can’t deny or avoid the effects of it periodically.

I want to look back at this October and know that it is as monumental as the past three consecutively, and from what I am currently experiencing, realizing, and adjusting to in my own person, I have few doubts that this will be among the most important yet.  I welcome the realization, and look forward to how it receives flesh in my daily behavior and the eventual behavior to which it leads.

If this is an Ellsworthian season, I do not think of it as anything but positive. Extremely so. My things are gone, the excess is stripped, and I’m left with nothing but camera gear, a few plaid shirts, one pair of jeans and the book collection I only temporarily attempted to rebuild after I left my entire library on the front steps of East 97th Street.  I feel more free in my person than ever (the connectivity of things and experiences is real, but this is not even half of what I mean), without expectation, and willing to trust more honestly even than I did in the year before Ellsworth when I thought I had nothing to lose.

And at a time when I finally feel like there are incredibly important aspects and parts that make up the whole of my life to this point, I do have have a great deal to lose relationally I believe (and what is left is the supporting data to that headline), and that I shouldn’t do so especially for my own self-seeking, comfort, security, and service, or because I understand and perceive myself to be much more important than I am. That would be foolish, and of course if there is any direction my life is taking I would want it to not to be that. And so I’m not.

Terrible is our Good

Saturday, June 13th, 2009

I’ve somehow returned from a remote lake-space with Family which I wish might have had a longer last, and while my shin-skins are red and swollen, much was understood and illuminated and these things.  More is to be said, but this post is not the place for the more. I mind this a placeholder, the bent-up yellowed bookmark just before a final chapter of a book preceding the next book and the next book and the next.

If anything, I can affirm now that Ryan Adams’ Demolition is a dangerous listen, and to add within a related framework if any a time to feel human this is that. Until writing fully about this next, I’ll rise with the Dawn, hand off a guitar amplifier through which six years of music has passed — the meaning of this transaction something gargantuan, and my time with dear friends at the lake only serve to reinforce this very transition has been inaugurated but of course has not fully come to pass.

Another year, and I am the child my mother is nursing, and I am the sixth-grade child whose baseball games my dad never missed once, and I am the high school child who wishes to be anywhere close as cool as his older sister, and I am the college child (child, child, child!) with a girlfriend I’d obviously marry, and I am the intentionally single child living in the Upper East Side of New York City, and more fully of all I am the child who returned from a remote East Texan lake with sunkilled shins, laying in a bed at the city-center with the whole of each of these parts combined for seeing. And I am the man in forty-two years who will more truly be yet will not most truly be.  This is the land of “yet” and “not fully,” and I know this isn’t my residence if in terms of permanency.

Lake-lays tend to do terrible things to a person, which is our hope.  And of course I can’t agree more that we are being created by being destroyed.  None of this is at all negative if above the narrative, which we really aren’t.

Spillwayed + Docklayed

Friday, May 15th, 2009

I’ve found my summer skin. In Texas we tend to spend the first few days disappointed in the stickyhot and allergy swells, but when comes the contrast of peeling pink shoulderbones and its hard brown freckles, well, really no-thing is left for complaining.

Returning to my summers’ prior running discipline, I spend an hour a day just above the sleepest slope I know in Dallas — a concrete path equal in height to the top of the deepest forest I know in Dallas.

It’s a network of sunset-lit trails and paths leading to places yet unseen. There’s nothing esoteric about any of this writing.  I’ve just recently discovered this area after a multiplicity of years jogging and an occasional karoking on the concrete-laid-way above.  And now after only few hours exploring earlier and photographing a band later this afternoon has, well, increased the curiosity to a summit.

White Rock is a place I connect with solitude and with silence, and yet! in the past year it has transformed into something much richer as shared.  What is this year, wonder what next year will, well, see. But a docklay never lets down, it continues to be confirmed.

Years

Wednesday, May 6th, 2009

Two-Thousand & Nine is a fancy
three digit number, [with a zero
repeating in the center of a seven
space] Bookend way to say: a year is
here, a year is passed, and year
is near.  Near what?  Is this but
a gravel path in the Florida
countryside promising a Destin-
ation? Is it the jagged buttes
West of the wisest Redwoods;
The Titan Grove! The Sequoia! The Sea
on a side and to the East some Snow;

Does it melt in the rift of the valley,
cool reservoir off a diverging stream, squeeze
curve, cut, but quiver cold among
the evergreens?  Or is it Signpost
erect and proud, some Singer in a bar, plastered
upon its Face a mile-marker or a village
name like Baghdad or Bombay or
Babylon, an icon of a thing or itself
a Thing? It’s an assumption I make
that to breathe out and take in
is a neutral white actetype like a
scattering of leaves among the great
Roots of a Tree, ripped from their source
and dropped gently back to the Earth—
It invites the Decay, the compost; the Cycle.

It Readies its soil and Remembers
its height: the tip-top of the tallest
Green canopy and Light—
Light bursting through! Soil’s
smallest morsels some Torrents
of rain seep and mud, and thrust
up through the Center
of the trunk; the Innermost ring
in a series — that by which Man can
count the precipitate settling between
[though ever-never separating]
the Truth and his Dreams.

+

I stood at Sunrise, Yeasayer
sounding. Sleep only as much
as it takes my alarm to sound.
I licked the Envelope, and mailed it
last fall. Two-Thousand & Eight—
divide the bookends by Two
to find the three, or the three to
see two stumps stood in stages.
Precipitate an amount different
in one from the other; the one’s
Reality becoming its Hope. Or
the pace of a diverging stream
curve and cut but quiver, both
the Evergreen and some weeds.

Another Songbird / Gives Up Its Wings

Sunday, May 3rd, 2009

One month, to
day['s] Last light.

The Birds all Singing Blue [And White]

Sunday, April 26th, 2009

Honey,
I was just
a kid.

Distill

Thursday, April 2nd, 2009

About five hours past when I prefer to stand from sleep. My face feeling bruised if from the deep-sleep and dig dig dig in my pillow-cheek.  This is usually an indicator of either how much I needed it or maybe Shiraz, (though it might’ve been a Malbec).

After deciding I won’t work much today, I walk slowly into the kitchen to boil the water for a Press of Columbian and hope that my sleep-in contacts — which crunch with every blink — will find some moisture very soonish.

On the way through the living room catch two squirrels co-gnawing an acorn on the windowsill near my desk. Spooked by soft-steps, they scatter and disappear into the remainder of Fall’s leaves, which decay and transmute into compost.  Spring is near, the skies are a silent Grey, and my being is a maze.

In our Lairs

Saturday, October 18th, 2008

Tara is awake, I think
as often as me
[I've found in the fawn
hue hallway ending
at the parcelroom, or the
place I parse the nous, cutting
consciousness throat-ropes];
Nightly heard blares of some talk
show host, spitting a rhetoric
in agoran tongue; the voice
of the television her rialtic
ritual in sleeplessness, when I
slip past her place — a cheshire
cat to sit about the stoopsteps.
[Meringue pie moon hung
against a wild blueberry sky!
]
It’s too true I have desire
for a tele like Tara’s on tonight-nights.
We could trade! She’d sit in my Place
here on the concretecold, piddling with
exegeses of some pre-past penchants.
Then I could get alone with my own
talkshow host, if at least to gain gusto to go,
“I AM
AWAKE AND I
JUST CAN’T HELP IT!”

Forms and A Herringbone Warm

Saturday, October 18th, 2008

Dropped some drinking ginger
[ale – which is a not-naught –
it certainly isn't!] into a pint
with a Heinzelmännchen white
on its side-curve — compound paths to
an analysand beach whose palm trees
are pines a hundred years high, where these
dwarven men careen ’round, stirring up
some cesspool full of plankton from
the Deep. See, I didn’t – ceasing, I
thought; staring at this cheval-glass steeping
sips of gingerroot, an image of my unbelief!
When one won’t trust a Thing’s throbbing
ferociously below, boiling to burst forth
from the greyer folds of Reality, it’s
tough to toy with it, to let it touch to the point
of spending only an iota of space
during Vigils to type it out.

Otherworlds are not
to explore If
they areN’t at all.

Our Language Scizzors the Enormity

Monday, October 6th, 2008

[I'm up before the finches, just after Lauds, and during a simple sipping of coffee.]

One thing the first Monday of each month means is that The New Yorker sends forth its publishable Poetry&Fiction into the interwebs for the enjoyment and evaluation of the masses. Excitement over the publication usually sees me staying up late first Sunday evenings to read through the new pieces [they are published at 12 AM ET], unable to wait a dawn later for new quixoticquerying.

The thing I noticed upon reading my very first Billy Collins poem [I guess over a year ago now] is that my written voice is not as gregarious as improvement might make it. Often here, the content of a piece determines its form [and yet most of the time the Form teaches me something of the Substance], but at least, I’ll hope I’ve made some sort of move from the abstract shroudiness my Xanga [that time of my life] embodied.

Anyway, opening the New Yorker RSS feed this morning I stumbled upon a piece by Albert Goldbarth – one from whom I hadn’t read previously – wherein he brings to light what Work’s to be done with Word [or our inability to complete it], while optimistically admitting that sometimes we must push a device invented especially for such a Project.

THE WAY

The sky is random. Even calling it “sky”
is an attempt to make a meaning, say,
a shape, from the humanly visible part
of shapelessness in endlessness. It’s what
we do, in some ways it’s entirely what
we do—and so the devastating rose

of a galaxy’s being born, the fatal lamé
of another’s being torn and dying, we frame
in the lenses of our super-duper telescopes the way
we would those other completely incomprehensible
fecund and dying subjects at a family picnic.
Making them “subjects.” “Rose.” “Lamé.” The way

our language scissors the enormity to scales
we can tolerate. The way we gild and rubricate
in memory, or edit out selectively.
An infant’s gentle snoring, even, apportions
the eternal. When they moved to the boonies,
Dorothy Wordsworth measured their walk

to Crewkerne—then the nearest town—
by pushing a device invented especially
for such a project, a “perambulator”: seven miles.
Her brother William pottered at his daffodils poem.
Ten thousand saw I at a glance: by which he meant
too many to count, but could only say it in counting.